I am delighted to have been awarded a grant from the Lucy Philips Arts fund to undertake a collaboration with Leicester Print Workshop, exploring solar plate printmaking in response to the Suzanne Balkanyi archive housed at Leicester Print Workshop.
The project aims to understand how digital intervention can alter, enhance, or reinterpret the qualities inherent in analogue etching while maintaining the tactile and material qualities of printmaking.
This project seeks to establish a dynamic and innovative dialogue between a historical practice and modern technological advancements within printmaking. Ultimately, this project aims to bridge historical and contemporary artistic methodologies, expanding the potential for innovation within the discipline.
