Inspiring, intense and highly productive week as artist in residence
at West Yorkshire Print Workshop. I really loved being there exploring new work,
new ideas and processes.
Friday, 26 August 2016
Monday, 8 August 2016
West Yorkshire Print Workshop Summer School
Thoroughly enjoyed teaching
the Summer School - Inventive Intaglio
Join our 2014
Flourish Award winner for an exciting workshop, which will focus on breaking
the conventions of ‘traditional’ etching, exploring intaglio processes and
collagraph techniques. We will experiment with multiplate, layering and colour
techniques.
Working with
drypoint, collagraph and etching processes, you will explore a wide variety of
mark making methods. Tactile and sculptural marks can be produced by layering
liquid ‘ground’ or wax onto a plate to act as a ‘resist’ or ‘stop-out’ to the
etching solution. The zinc and aluminium plates are then etched multiple times
using a solution of copper sulphate, to build up your image in layers.
Spontaneous mark-making and ‘open bite’ lines will be explored and printed,
often producing beautiful abstract compositions. You will learn to register
multiple plates and work with a variety of shapes and compositions. You will
also learn about paper, inking and registration techniques.
Tuesday, 2 August 2016
Tuesday, 5 July 2016
Wednesday, 29 June 2016
Leicester Print Workshop Artist's Talk
Join us this Wednesday 29th June at 6.30pm for an evening artist talk with visiting printmaker Michelle Keegan, winner of the 2014 Flourish Award for Excellence in Printmaking. Come and be inspired! http://www.leicesterprintworkshop.com/…/meet_the_artist_mi…/
Meet the Artist: Michelle Keegan
| When and where? |
Wednesday 29th June 6.30pm - 7.30pm
at Leicester Print Workshop. |
|---|---|
| What does it cost? |
£5
|
Printmaker Michelle Keegan is the 2014 winner of the Flourish Award for Excellence in Printmaking hosted by West Yorkshire Print Workshop.
Michelle will talk about her practice and the work she has made for the Drawn in the Margins exhibition, currently showing in the LPW Project Space.
Saturday, 21 May 2016
Staithes Studio Gallery
‘A
History in Layers’ showing at Staithes studio gallery until July 3rd.
Really
beautiful place and exquisite gallery.
Thursday, 28 April 2016
Leicester Print Workshop Exhibition
Drawn
in the Margins Flourish
Award by Michelle Keegan
Leicester Print Workshop Project Space
3rd May – 30th July 2016
Printmaker
Michelle Keegan is the 2014 winner
of the Flourish Award for Excellence in
Printmaking hosted by West Yorkshire Print Workshop. A Slade School of
Art graduate, Michelle’s work in etching is minimalist and monochromatic,
depicting a series of abstract layers, memories of spaces, places and landscape.
The Flourish award gave Michelle access to the WYPW
studio where she developed this series of new work, entitled Still Navigating, which was first exhibited
as part of a solo print exhibition at
Huddersfield Art Gallery in 2015/6
‘I am fascinated by printmaking,
I live for it and have never ceased to be excited and amazed by its magic and
potential. The process is a fundamental part of my work. The images emerge
through allowing the print process of etching and the personality of the metal,
on which the images are constructed, to become essential to the visual
dialogue. The nature of the process demands clarity of thought, precision and
reflection throughout the making process.’
Michelle describes her artistic practice as a way in which to conduct
conversations with the landscape and reflect on notions of belonging, identity,
rootedness, liminality, and ‘home’.
Michelle teaches and runs a small print workshop in Nottingham, which is
her professional home, but strongly identifies with Romney Marsh, where she
spent much of her childhood and adolescence, as a spiritual home, a place whose
desolate and minimal characteristics continually ‘haunt’ the aesthetic of her
work.
‘Drainage dykes, sea walls, and electricity
pylons are structures of modernity that traverse the flat expanses of the
marshland. These act as departure points for sketches that I make on site
during visits to the South. The drawings are then playfully distorted into
overlapping layers of line and texture on zinc and copper plates.’
The results are intricate and complex multi-layered prints, which act as
physically charged and deeply personal maps of the environment.
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